Eames Lounge Chair and Ottoman Click on image to zoom Designers: Charles and Ray Eames The lounge chair and ottoman have their origin in Charles and Ray’s investigations into molding plywood and a desire to improve upon a familiar fixture in many living rooms: the lounge chair. Citing the English club chair as inspiration, Charles said he sought to design a modern version of that chair, one that had “the warm receptive look of a well-used first baseman's mitt.” Almost immediately, the design became an icon of American design. Today, these pieces not only live in museums, but continue to offer comfort and style to interiors around the world. A universally recognized form, the set is available in a variety of veneers, multiple leather options, and two sizes. Whatever selection you make, you can be assured of the quality and authenticity of this design. Configure Your Eames Lounge Chair and Ottoman May 4 – 16 Own a True Icon of Modern Design When the set was introduced in 1956, there was nothing like it, and there is still nothing to equal it.

The Eameses' modern take on a 19th century club chair has not only endured for more than 50 years, it has become one of the most significant furniture designs of the 20th century—instantly recognizable and enduringly fresh. Like all classics, the chair and ottoman get better with age, in part because of how they are made. From the innovative hardware that fastens the cushions to the shells without marring the appearance of the wood to the fact that each piece continues to be assembled by hand, the combination of craft and manufacturing consistency results in pieces that are genuinely authentic. "A special refuge from the strains of modern living." The Eames Lounge Chair and Ottoman has become so recognizable that its configuration is now a registered trademark. That form and the materials used to create it are an integral part of the experience the set delivers. Today, the chair and ottoman are available in a variety of veneers, multiple leather options, and two sizes.

The same high level of quality and workmanship is guaranteed, regardless of the selection you make. Choose contract-grade or our MCL Leather, which possesses a striking balance among softness, durability, and color-fastness. MCL Leather is a premium, semi-aniline, dyed leather with 100 percent natural full grain. Color variations and surface marks are an inherent characteristic of this material, which will acquire wrinkles and creases and develop a rich patina over time. An oiled finish is available for walnut and santos palisander veneers. It closely matches the look and feel of the finish used on the original rosewood chair, and will need to be maintained with periodic hand oiling. You can also choose the standard, high-performance lacquered plywood shell in wood veneer. The lacquered finish requires nothing more than dusting. Luxurious Comfort and Support The comfort and support built into the Eames Lounge Chair and Ottoman help explain their enduring popularity.

A dynamic blend of hand-craftsmanship and mass production techniques makes this possible. The cushions will not flatten or clump over time. As Charles Eames described them, "The leather cushions do have built-in wrinkles to start with, but that is a clue that spells comfort to come, like the warm, receptive look of a well-used first baseman's mitt." Each hide used for the cushions possesses variations that are a natural occurrence in leather, and each will age to reveal its own unique personality.where to buy wheelchairs in orlando The seat is permanently tilted to take the weight off your lower spine and distribute it properly to the back of the chair. chair cover rentals gainesville flThe lower cushion piece supports your lower back, so you feel relaxed. monoblock chair and table price

The angle supports your chest so that you can be comfortable as you read, watch a movie, or have a conversation. A Place of Rest The ottoman also provides a health benefit. Most of us sit or stand all day, so blood collects in the lower extremities. Resting your feet on the ottoman helps restore normal blood circulation. Like all classics, the chair and ottoman get better with age. Both are hand-assembled with great attention paid to the details. Shells are 7-ply veneers. Cushions are individually upholstered and replaceable. The back braces and bases—of both the chair and ottoman—are die-cast aluminum. The chair base has a built-in swivel mechanism. Shock mounts are resilient natural rubber. Stainless steel glides are adjustable."How to undress in front of your husband"/Photo series with Amanda Lear // photo © Brian Duffy Image Courtesy of Vitra Panton chair turns 50 text by Marcia Argyriades for Yatzer Coming so close to the end of the year we found it our obligation and our pleasure to invite you to a birthday party…a birthday party for a chair which despite its age will never grow old and we will never ever get bored of it! 

The Panton Chair by Verner Panton celebrated its 50th birthday//anniversary in 2009 as it reached the half century mark.  It’s amazing to see how many technological and design changes and advancements occurred within these fifty years however this chair remained faithful to its original design. photo © Archiv Vitra Design Museum, Weil am Rhein Image Courtesy of Verner Panton Undoubtedly, the Panton Chair is Verner Panton’s widely recognized and perhaps most significant design.  Its form today may seem recognizable and ordinary as it has been on circulation for the past fifty years, but we have to admit that it holds a rather unusual and remarkable form even for today’s standards.  The innovation and the production technology related to this chair have righteously made it an iconic chair in 20th century design. photo © Louis Schankenburg, Kopenhagen Verner Panton, a protégé of Arne Jacobsen had been experimenting with the idea of the Panton Chair since 1956 as he sent his design to a furniture competition held by furniture firm WK- Möbel. 

Panton clearly depicted the design which would be finally given to this iconic chair in his 1958/1959 sketches.  Some time later the same year he continued into creating a full scale model of the chair which was originally made from polystyrene, but was not suitable for sitting on; nonetheless, this model chair along with his sketches would help Panton find a manufacture. Verner Panton and Percy von Halling-Koch with the chair model at the Mobilia Club, c. 1961 photo © Panton Design, Basel However, in 1959 the chair which was conceived was the first cantilevered single form molded plastics chair which was created by one piece of material.  It is important to note however that it wasn’t until the early sixties that Panton contacted Vitra and decided to develop the chair to the production series of the Vitra collection.  From 1965 to 1967, Vitra and Panton worked closely together to develop and perfect this unique chair and it wasn’t until August 1967 that this iconic chair was unveiled before the eyes of the public.

The all time classic stackable S-shaped chair has enjoyed periods of glory and splendor trend-setting times throughout its manufacturing despite the change in materials.  The chair has been produced in four different versions from different types of plastic and with the aid of different types of production technology.  The reasons for the change in material were both financial and aesthetic; all versions were developed in close cooperation of Vitra and Verner Panton. photo © Louis Schnakenburg, Kopenhagen The Panton Chair has definitely been our favorite; now it’s also children’s favorite chair!  I guess that even after 50 years we’re thrilled with its single form design, the sleek yet elegant shape, the idea that it is stackable, the vibrant and cheerful colors and the smooth curves.  We’ve seen them in houses, in nurseries, in hotels, in restaurants, we’ve even seem them in a church by Qubus and a Music Hall by Zaha Hadid …that’s what makes this chair always so unique yet, so ordinary!

St. Bartholomew's Church by QUBUS in the village of Chodovice, Eastern Bohemia photo © Ari Markopoulos JS Bach / Zaha Hadid Architects Chamber Music Hall at Manchester Art Gallery for Manchester International Festival Images courtesy of Zaha Hadid Architects © Luke Hayes The production history of the Panton Chair is as follows: 1959: the concept of Panton chair is born 1967-1968// Initial series production from cold-molded, fiber-glass reinforced polyester resin, painted in various colors.  1968-1971// Second series model made of polyurethane rigid foam, painted in various colors.  1971-1979// Third series model made of colored thermoplastic polystyrene (Luran S). The chairs made of this material can be identified by the ridges below the bend between the seating area and the base.  in the USA until 1975 Herman Miller 1979-1983// The Panton Chair is not in production. 1983-present day// Second version of the chair made of painted polyurethane rigid foam.