thonet chair 14 for sale

1 2 3 5 Next » 1 2 3 5 Next » Bentwood Furniture Designs by Michael Thonet Michael Thonet Chairs and Furniture Designs If you are looking for the classic Thonet bentwood chair and furniture designs from Bauhaus 2 Your House has one of the largest ranges available. Bauhaus2YourHouse is proud to feature a variety of bentwood pieces, including chairs, benches, love seats, coat racks and more. Michael Thonet was an innovator in the bentwood furniture-making industry, and his creations remain a favorite among designer furniture fans today. Bentwood designs by Michael Thonet are unlike any other furniture. The detail of these handmade bentwood pieces is exquisite and the style is timeless. Browse our complete selection of bentwood furniture designs by Michael Thonet and other modern classics furniture.Set Of 6 Vintage Bentwood Dining Chairs By Thonet Made In USA The Chair No. 14 by Michael Thonet (Design Classics Series) Available from these sellers. Series: Design Classics Series

Publisher: Verlag Form (August 1998) 0.2 x 6 x 6.5 inches Shipping Weight: 5.6 ounces #4,696,766 in Books (See Top 100 in Books) in Books > Arts & Photography > Individual Artists > Monographs If you are a seller for this product, would you like to suggest updates through seller support ?« Back to overview The famous coffee house chair is an icon The famous coffee house chair is an icon and considered the most successful mass produced product in the world to date: it initiated the history of modern furniture. The basis was a new technique – the bending of solid wood – that Michael Thonet developed and perfected during the 1850s, and it was the first time serial furniture production was possible. Added was an ingenious distribution model: 36 disassembled chairs could be packed into a one cubic metre box, shipped throughout the world, and then assembled on site. With its clear, reduced aesthetics this classic has been placed in the most diverse environments for more than 150 years.

It is produced in our Frankenberg facility. Without armrests, open back or backrest (215). Seat and backrest with cane work or covered with leather or fabric. Seat also available as moulded plywood seat. All wooden parts in stained beech. Also available in "Pure Materials" versions. Individuality is our standard! The sensitive selection of the surfaces is decisive for the character of any piece of furniture. Therefore, we offer an almost limitless range of materials, allowing for an individual and special touch for each piece.
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Our specialist trade partner near you will be happy to offer advice.No. 14 Viennese Chair from Gebrüder Thonet, 1870s from Czech Republic to: Hong Kong SAR China Add Item to Cart Buy with Confidence with Good/Fair — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs. Import duty is not included in the prices you see online.
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(Included in Every Order) A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below). The delivery partner will email and/or call you at least one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery. (Optional Upgrade at Checkout) A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers. The delivery partner will email and/or call you one day in advance to arrange a delivery time.

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.LONDON — It consists of six pieces of wood - two circles, two sticks and a couple of arches - held together by 10 screws and two nuts. Together they make the wooden chair known as Thonet Model No.14, which although no one has ever actually done the math, is thought to have seated more people than any other chair in history. The No.14 was the result of years of technical experiments by its inventor, the 19th-century German-born cabinetmaker Michael Thonet. His ambition was characteristically bold. Thonet wanted to produce the first mass-manufactured chair, which would be sold at an affordable price (three florins, slightly less than a bottle of wine).

Many of his rivals had tried to make similar chairs, but failed and, at first, Thonet seemed doomed to failure too. When his German workshop was seized by creditors in 1842, he moved his family to Austria and opened a workshop in Vienna, determined to try again.When the No.14 was launched in 1859, it was the first piece of furniture to be both attractive and inexpensive enough to appeal to everyone from aristocrats to schoolteachers. By 1930, some 50 million No.14s had been sold, and millions more have been snapped up since then. Brahms sat on one to play his piano, as did Lenin while writing his political tracts, and millions of us have perched comfortably on them in cafés. Another admirer was the modernist pioneer Le Corbusier. "Never was a better and more elegant design and a more precisely crafted and practical item created," he enthused. More recently, the young Dutch designer Maarten Baas staged his own homage to Thonet by setting fire to a No.14-style wooden chair as part of the "Where There's Smoke" collection of furniture he (literally) burned for the Moss design store in the SoHo neighborhood of New York.

What makes the No.14, which is to celebrate its 150th birthday next year, so special? The answers tell us as much about our attitudes to design, and how they've changed over the last century and a half, as the chair itself. First and foremost, the No.14 fulfills its designated function, as every well-designed object must do. Second, it looks and feels great. "It's one of the most beautiful chairs there is," said the German furniture designer Konstantin Grcic. "And it has exactly the right weight. When you pick it up, it feels perfect. That's an important aspect of chair design that's often overlooked." Third, it was startlingly innovative. Thonet perfected a process of bending wood into strong, smooth curves that had eluded his rivals. By making the chair from the fewest parts possible and standardizing their shapes to help unskilled workers assemble them and pack them neatly in shipping crates, he devised a blueprint for efficient mass-production. Fourth, the No.14 is timeless.

It seems to suit every era, which is why Le Corbusier chose it to furnish some of his early 1920s modernist interiors, and it is still the default seating for brasseries all over the world. "It has the freshness of a new product, because it has never been bettered," observed the British designer Jasper Morrison. Fifth, it improves with age. "As the screws and glue loosen, the structure becomes softer," noted Grcic. "It's a chair that becomes nicer and nicer to sit in as it ages. Most chairs feel odder when they're older and clapped-out, but the No.14 just seems safer and more comfortable. Michael Thonet probably didn't intend that to happen, but it's a beautiful sensation. I've tried to do it with new chairs, but it's amazingly challenging." Then there's the history. The No.14 made industry and modernity seem sexy, rather than things that evoked belching chimneys and shoddy goods. It also established Thonet's company, which was run by his five sons after his death, as one of the great industrial dynasties of the late 19th century, employing thousands of workers in enormous factories that included schools, libraries, nurseries and shops where goods were sold in its private currency.

The No.14 can even claim to have been a pioneer of sustainability. The early models were made in a factory in the village of Koritschan in what is now the Czech Republic from beech wood grown in nearby forests. Even when demand rose and extra supplies of wood had to be shipped in from further afield, Thonet limited its carbon footprint by making its own tools and machinery. What's become of the No.14 today? Its design is as admired as ever, and Baas's charred homage isn't the only recent tribute. Kazuyo Seijima and Ryue Nishizawa of SANAA, the Japanese architects of the New Museum in New York, have created a metal chair in a similar shape that looks as though a child has drawn a rough outline of the No.14. The young Spanish designer Tomás Alonso has produced the No.7 chair using traditional steam bentwood techniques. IKEA has deployed the latest gas-injected plastic composite technology to develop a super-cheap hollow version of the Ögla, the No.14 lookalike that has been one of its best sellers since 1961.