i (Kursi Merah Biru) adalah sebuah kursi yang didesain pada tahun 1917 oleh Gerrit Rietveld. Kursi ini merepresentasikan dari gaya De Stijl dalam bentuk tiga dimensi. [ sunting sunting sumber ] span sunting sunting sumber ] Asal muasal kursi ini adalah sebuah kursi kayu yang tidak berwarna. Kursi ini dibuat awal dekade 1920an. [1] Seorang anggota kelompok De Stijl yang juga seorang arsitek, Bart van der Leck, melihat bentuk asli model kursi ini dan menyarankan untuk menambahkan warna-warna cerah. [2] Dia lalu membuat model kursi baru dari kayu dan mewarnai sebagian besar dengan warna hitam dan beberapa bagian dengan warna-warna primer yang melambangkan gerakan De Stijl. Akibat yang ditimbulkan dengan kobinasi warna tersebut adalah kursi ini seolah tersamarkan dengan dinding dan lantai yang berwarna hitam di rumah Schröder dimana kursi ini ditempatkan. [3] Kombinasi warna tersebut juga mengakibatkan kesan seolah kursi ini sedang melayang karena strukturnya seolah berwarna transparan menyatu dengan warna tembok.

Kursi ini sekarang disimpan di Museum Modern Art setelah Philip Johnson memberikannya sebagai hadiah untuk disimpan secara permanen, Pada tahun 1923, dilakukan pengecatan ulang pada kursi. [5] The chair also resides at the High Museum of Art, Atlanta. Fakultas Arsitektur Universitas Teknologi Delft pernah meminjam kursi ini untuk pameran yang mereka selenggarakan. Pada tanggal 13 Mei 2008, terjadi kebakaran di kampus arsitektur Universitas Teknologi Delft yang menghancurkan sebagian bangunan. Untungnya Kursi Merah Biru berhasil diselamatkan oleh petugas pemadam . Tahun 2012, kursi ini disimpan di Institut Seni Minneapolis di Minneapolis, Minnesota. Tahun 2013, Kursi ini dipindahkan ke Auckland, Selandia Baru.High Museum of Art . ^ TU Delft fire news story [ sunting sunting sumber ] span sunting sunting sumber ]RED AND BLUE CHAIR THIS LEGO VERSION OF THE ICONIC RED BLUE CHAIR BY GERRIT RIETVELD IS 6% LARGER BECAUSE IT IS GOVERNED BY THE LEGO BRICK SIZE.

IT WAS PRODUCED IN THE SPIRIT OF RIETVELD’S ORIGINAL INTENTION TO MAKE THE DESIGN WIDELY AVAILABLE, BUT COPYRIGHT LAWS PREVENTED THIS LEGO VERSION FROM BEING MASS-PRODUCED. MATERIAL: LEGO BRICKS, ALUMINUM COLLECTION CENTRAAL MUSEUM, UTRECHT, NL Born in Utrecht in 1888, the Dutch designer, architect and painter Gerrit Rietveld spent his entire life in the city of his birth. table and chair rental galvestonThe son of a carpenter, Gerrit Rietveld was employed in his father's workshop until he was fifteen. bean bag chairs las vegas nvUntil 1913 Gerrit Rietveld was employed as a draftsman in the workshop of the goldsmith C.J.A. Begeer. vitra rocking chair price

From 1906, Gerrit Rietveld also attended evening courses, where he learned technical draftsmanship from the architect P.J.C. Klaarhamer. In 1911-12 Gerrit Rietveld was a member of the group of artists known as Kunstliefde, with whom he also showed work. In 1917 Gerrit Rietveld established a furniture workshop in Utrecht. By 1919, however, Gerrit Rietveld had joined Theo van Doesburg, Piet Mondrian, and other artists to found "De Stijl"; table and chair rentals in st clair shores miRietveld would become one of the most important and influential artists in that celebrated group. wicker swing chair singaporeThe "De Stijl" artists formulated a language of forms that was intended to attain the greatest objectivity and autonomy in a work of art; wooden chair hire somerset

their works are stringently non-representational, radically reduced to a geometric arrangement of horizontals and verticals and a palette consisting of the primary colors red, yellow, and blue with the addition of black and white. De Stijl applied these principles to both two-dimensional and three-dimensional work, such as furnishings and architecture. In 1919 Gerrit Rietveld designed the prototype of his famous "Red and Blue" chair, which, however, was not given the striking lacquering that is so typical of De Stijl until 1923. The "Red and Blue" chair consists of straight boards and battens; the seat is lacquered blue and the back red. The cut surfaces of the frame battens are yellow; the battens themselves black. Gerrit Rietveld himself seems to have viewed his chair as a work of art since he called it a "spatial creation", designating a sculpture in space, rather than a piece of furniture. The "Red and Blue" chair was shown in the journal "De Stijl" and was also exhibited in a show mounted by the Bauhaus, where it made quite an impact.

In 1924-25 Gerrit Rietveld designed the "Schröder House" for Truus Schröder in Utrecht, a building that would become the architectural manifesto of the De Stijl movement. The colors, the division and arrangement of surfaces on the two floors of this private house faithfully follow the De Stijl principles. Between 1932 and 1934, Gerrit Rietveld designed the "Zig-Zag" chair, which consists in four simple boards fitted together at oblique angles. In 1922, in connection with the practice he was designing for Dr. Hartog in Maarssen, Gerrit Rietveld designed a tubular ceiling lamp of white soffits arranged at right angles with black cubes at the ends for fastening the straight wires on which it was suspended from the ceiling. In 1928 Gerret Rietveld became a member of the Congrès International d'Architecture Moderne (CIAM). As an architect plant, Gerrit Rietveld designed many buildings and interiors. His biggest project, however, the Van Gogh Museum in Amsterdam, was not completed until nine years after he died in 1964.