Own a True Icon of Modern Design Luxurious Comfort and Support The Eames Lounge Chair and Ottoman have their origin in Charles and Ray’s investigations into molding plywood and a desire to improve upon a familiar fixture in many living rooms: the lounge chair. Citing the English club chair as inspiration, Charles said he sought to design a modern version of that chair, one that had “the warm receptive look of a well-used first baseman's mitt.” Almost immediately, the design became an icon of American design. Today, these pieces not only live in museums, but continue to offer comfort and style to interiors everywhere. A universally recognized form, the set is available in a variety of veneers, multiple leather options, and two sizes. Whatever selection you make, you can be assured of the quality and authenticity of this design. When the set was introduced in 1956, there was nothing like it, and there is still nothing to equal it. The Eameses’ modern take on a 19th century club chair has not only endured for more than 50 years, it has become one of the most significant furniture designs of the 20th century—instantly recognizable and enduringly fresh.

Like all classics, the chair and ottoman get better with age, in part because of how they are made. massage chairs for sale edmontonFrom the innovative hardware that fastens the cushions to the shells without marring the appearance of the wood to the fact that each piece continues to be assembled by hand, the combination of craft and manufacturing consistency results in pieces that are genuinely authentic.wedding chair cover rentals grand rapids The Eames Lounge Chair and Ottoman has become so recognizable that its configuration is a registered trademark. folding chair rental aurora coThat form and the materials used to create it are an integral part of the experience the set delivers. used folding chairs edmonton

Today, the chair and ottoman are available in a variety of veneers, multiple leather options, and two sizes. massage chair for rent manilaThe same high level of quality and workmanship is guaranteed, regardless of the selection you make.table and chair rental bowling green ky Choose contract-grade or our MCL Leather, which possesses a striking balance among softness, durability, and color-fastness. MCL Leather is a premium, semi-aniline, dyed leather with 100 percent natural full grain. Color variations and surface marks are an inherent characteristic of this material, which will acquire wrinkles and creases and develop a rich patina over time. An oiled finish is available for walnut and santos palisander veneers. It closely matches the look and feel of the finish used on the original rosewood chair, and will need to be maintained with periodic hand oiling.

You can also choose the standard, high-performance lacquered plywood shell in all four wood veneers. The lacquered finish requires nothing more than dusting. To provide additional choices for complementing a range of interiors, the chair and ottoman are offered in all-black and all-white versions. The all-black version features an ebony veneer shell and black MCL Leather. For the all-white version, a white ash shell complements pearl MCL Leather. The metal components of the white ash chair are finished in white to highlight the polished aluminum accents on the base. The comfort and support built into the Eames Lounge Chair and Ottoman help explain their enduring popularity. A dynamic blend of hand-craftsmanship and mass production techniques makes this possible. The cushions will not flatten or clump over time. As Charles Eames described them, "The leather cushions do have built-in wrinkles to start with, but that is a clue that spells comfort to come, like the warm, receptive look of a well-used first baseman's mitt."

Each hide used for the cushions possesses variations that are a natural occurrence in leather, and each will age to reveal its own unique personality. The seat is permanently tilted to take the weight off your lower spine and distribute it properly to the back of the chair. The lower cushion piece supports your lower back, so you feel relaxed. The angle supports your chest so that you can be comfortable as you read, watch a movie, or have a conversation. The ottoman also provides a health benefit. Most of us sit or stand all day, so blood collects in the lower extremities. Resting your feet on the ottoman helps restore normal blood circulation. Like all classics, the chair and ottoman get better with age. Both are hand-assembled with great attention paid to the details. Shells are 7-ply veneers. Cushions are individually upholstered and replaceable. The back braces and bases—of both the chair and ottoman—are die-cast aluminum. The chair base has a built-in swivel mechanism.

Shock mounts are resilient natural rubber. Stainless steel glides are adjustable.If you write the first letter of hoo in upper case, you miss the point, says the founder of the design studio, Chen Yu Chang. The lower-case "h" resembles a chair - and its significance is revealed upon entering the Pok Fu Lam home of Chen, his wife, Kennie, and their three-year-old son, Jami. Chen is a chair fanatic. And that's not all. "I'm a bit OCD [obsessive-compulsive disorder]," he says, with a laugh, admitting he is also partial to collecting bears. Luckily, it's a useful habit when one heads up a design firm focused on residential interiors that includes at least one statement piece of furnishing in each project. In his own home, Chen's statements - dining chairs - are grouped around a long wooden table in the open-plan living/dining area: some are old (vintage fibreglass and wire Eames chairs) and some are new (a CH24 Wishbone chair by Hans Wegner and a 109 chair by Finn Juhl).

On the day of our visit, even Jami's blond-wood highchair has a place in the set: from American brand OXO, it balances well its function (to serve messy young eaters) with grown-up design sensibilities. The couple decided to live in Pok Fu Lam because of its peaceful ambience. They chose their flat for its efficiency - of the 1,020 sq ft gross floor area, 906 square feet was usable - and green view of the mountain behind. The apartment was dated and depressing when Chen found it early last year, but he knew it had potential; all but one of the internal walls could be removed. "Do you know, I'm not actually a designer?" Chen says, as he shows off the unit post-renovation. After his parents thwarted his plans to study interior design, Chen went into advertising. Today the self-described home stylist is the creative brain behind the business he established in 2009; a team of trained designers "takes care of the technical stuff". Chen's penchant for a palette of black, white and gold comes in subtle, sometimes "barely there" variants, adding intrigue, without a hint of bling.

He's also a huge fan of Scandinavian design - a theme evident throughout all of hoo's projects - because he believes it provides a tidy yet "human" living environment. Chen approached the renovation with child safety in mind. Apart from one unavoidable corner of the kitchen benchtop, there are no sharp edges and no exposed cords, and the television is fixed onto a "hanging wall" that was the result of a design experiment (see Tried + tested). Floors are finished in a soft grey (timber in the living and sleeping zones; stone in the wet areas) and the white walls are offset by an occasional slate grey panel and a bank of jet-black, floor-to-ceiling cupboards storing Chen's collection of about 50 pairs of trainers. Chen also plays with shapes: there are subway tiles in the kitchen and hexagonal ones in the bathroom, and a herringbone pattern on the floor. "I like to mix it up," he says. The realignment of rooms enabled a large master bedroom with a walk-in wardrobe the size of many kids' bedrooms.

In addition to the couple's clothes, the space accommodates one of two leather-upholstered Eames armchairs (the other being in the living room) and some of Chen's Kaws Bearbricks collection. The en-suite bathroom has a luxurious feel, with a whole wall of bench-height fitted cupboards providing the kind of storage rarely found in a Hong Kong flat. Against this backdrop, almost everything bears a designer's name: lamps, side tables and accessories. Even Jami's room has the designer touch, plus a rare splash of colour and a toy cabinet built by Chen. The original walls were not straight enough for Chen's liking, so he had them resurfaced with gypsum, and all the fixed lighting neatly concealed. Chen had wanted to try out ideas that a client's budget might not allow - and the investment has paid off, with a family home that has pleasant surprises at every turn. Dining area The CH327 dining table (HK$43,000) was a 100th anniversary edition by Carl Hansen & Son and came from Manks (3/F, The Factory, 1 Yip Fat Street, Wong Chuk Hang, tel: 2522 2115).

a CH24 Wishbone chair by Hans Wegner for Carl Hansen & Son (HK$10,000, from Manks); and two Herman Miller fibreglass vintage Eames chairs bought years ago. The art on the wall is by Georgiana Paraschiv. strongThe sofa (about HK$90,000), by Living Divani (livingdivani.it), was ordered from Italy. The side table (HK$8,000) is by Daniel Schofield Studio and was purchased at Lane Crawford. The &Tradition coffee table (HK$15,000) came from Amelie & Tulips (56 Sai Street, Sheung Wan tel: 2291 0005) and the rug (HK$10,000) from the HAY flagship store in Shanghai (www.hay.dk). Jami’s room The red car was a first birthday gift for Jami from friends of the couple. The Tolomeo table lamp (HK$2,500) came from Artemide (1/F, Ruttonjee Centre, 11 Duddell Street, Central, tel: 2523 0333). strongThe Gray & Turner side table (HK$9,800) came from Lane Crawford. The herringbone-patterned wooden flooring has been interspersed with marble sections for contrast. The Buster + Punch wall lamp (HK$3,500) came from Homeless (www.homeless.hk).