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3D Models / Revit Making of the Embody Chair Designer Jeff Weber tells you how the Embody chair came to be. Why I Sit in Embody Hear how Embody supports the research of ophthalmic neurobiologist Budd Tucker. Bill Stumpf and Jeff Weber How to tune and use your chair for maximum comfort and support. Embody User Adjustment Guide Embody chair receives Best of NeoCon Silver in the Ergonomic Desk/Task Seating category. Embody chair named "Best of 2008" by WIRED magazine. What's In It For You Embody began with the recognition of a previously unsolved problem: the lack of physical harmony between people and their technology. Spending too much time interacting with our various devices, moving nothing but our fingers, can make us stiff and tired because our bodies are made to move. With Embody, designers Bill Stumpf and Jeff Weber set out to solve this problem. More than 20 physicians and PhDs in the fields of biomechanics, vision, physical therapy and ergonomics contributed their expertise to help guide the development of this chair.

As a result, Embody has set a new benchmark for pressure distribution, natural alignment and support for healthy movement in ergonomic seating. You feel Embody’s Pixelated Support the moment you sit down – a sense that you are floating, yet perfectly balanced. Thanks to a dynamic matrix of pixels, Embody’s seat and back surfaces automatically conform to your body’s micro-movements, distributing your weight evenly as you sit. This reduces pressure and encourages movement, both of which are key to maintaining healthy circulation and focus. Embody’s back is designed like yours, with a central spine and flexible ribs. The BackFit adjustment positions the backrest in line with your spine’s natural curve, so you achieve and maintain a neutral, balanced posture. Once the chair is tuned to fit you, the backrest adapts to your movement, adjusting automatically as you change position. Whether you lean forward or recline, support remains constant. The Embody seat consists of four different support layers – each with its own set of material properties and each created with a different manufacturing process, all working together, orienting themselves to your shape with a degree of fidelity so high they even accommodate pockets.

These layers were designed for airflow, keeping you cool and comfortable as you sit. Function You Can See and Feel Form doesn’t just follow function with Embody. Function is on full display. Every part of the chair was designed to serve a very specific, health-positive purpose. Embody’s technology isn’t hidden – it is part of the aesthetic. Advancing the Art and Science of Seating After years of research, design, building and testing – and then doing it all over again (and again) – the art of design and the science of seating came together perfectly to create Embody. What if a chair could do more than just minimise the negative effects of sitting? That was the radical idea that Jeff Weber and the late Bill Stumpf had in their design studio. Could they design a chair that actually had positive effects on the body? “You can’t design without empathy,” said Weber, who also designed our Caper chair. “Since design has become more technology based, we’ve had to sit in our chairs in front of computers for longer periods, just like everyone else.

We identify with the problems people have as a result of sitting.” Bill Stumpf, who designed our Aeron, Equa and Ergon work chairs and worked for Herman Miller for more than three decades, brought the idea to us. Could such a chair be designed and made? Early on, we discussed the idea with the experts, testing three hypotheses: Work chairs can be health-positive or therapeutic, not merely health-neutral.
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Expert input on these hypotheses fuelled Weber and Stumpf’s early thinking about the chair and formed the basis of experiments designed to establish whether such a chair was possible. But Bill passed away in 2006. As Embody’s designer, it was he who gave the chair its function and form, building on Bill Stumpf’s inspiration. Prototypes followed, with experts sitting in them and offering appraisals of what was good and what wasn’t.
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