Ergonomic chairs offer best value for money: MOM The Straits Times Online (31 Mar 2011) : Ergonomic chairs offer best value for money: MOM The Straits Times Online (29 Mar 2011) : MOM, about that $575 chair... The Straits Times Online (29 Mar 2011) : Chair purchase was imprudent We refer to the feedback on ST Online Forum on 29 March 2011. 2.   The Ministry of Manpower (MOM) conducted an open tender in accordance with the Government procurement guidelines for the purchase of office chairs for our employees at the Kim Seng premises. The brand of the chairs was not specified in the tender invitation. 3.   The tender was evaluated by a Tender Evaluation Committee made up of officers from various divisions within MOM, including an occupational safety and health medical professional. We considered various factors, including the ergonomic design, durability and value for money. The successful tenderer met our requirements and offered the best value for money over the life-span of the chairs.

This includes a comprehensive commitment from the supplier to cover on-site support and option to repair or replace the chairs for a duration of 12 years. This also includes all parts, including wear and tear. This translates to cost savings as we will not need to change office chairs frequently. These chairs will also be moved to MOM’s new Bendemeer office when our Kim Seng premises relocates in 2012.chairs for hire staffordshire 4.   As the Ministry that champions workplace safety and health, MOM actively sets an example in promoting the well-being of our employee. table and chairs telfordOur employees spend a large proportion of their working hours at their work space. chair cover rentals vaughan

Investing in these ergonomically designed chairs will go a long way in ensuring a safe and healthy workplace for our employees. MOM, about that $575 chair... - The Straits Times Online, 29 March 2011 I AM puzzled and perturbed by Friday's report ("MOM staff to get ergonomic chairs") in which a Ministry of Manpower (MOM) spokeman rationalised the $271,400 allocation for 472 Herman Miller chairs (at $575 each) for its staff.bean bag chairs in dublin Unless MOM staff are suffering from a work-related medical condition, what is wrong with the present chairs? cheap plastic adirondack chairs walmartAnd if the chair does protect the user's back, why hasn't it been recommended to all civil servants labouring under similar conditions?flip chair bed sears

Notwithstanding its durability and long warranty period, are these chairs' ergonomic features significantly better than one that costs half as much? Some office chairs can cost as much as $1,000 to $2,000, but it does not mean that they are better for users. Other factors like sitting posture matter just as much as the quality of the chair.power lift chairs portland oregon But if the present chairs need replacing, shouldn't replacing them with the usual office chairs suffice?large bean bag chairs calgary THE Ministry of Manpower's (MOM) decision to spend more than a quarter of a million dollars on chairs for staff was imprudent ("MOM staff to get ergonomic chairs"; last Friday).where to buy gt omega chairs

Are ergonomic designer chairs a justifiable expense of taxpayers' funds? Was there a human factor specialist in the tender evaluation committee or just a lay person? One type of chair would not fit everyone. The users' body dimensions must be considered when selecting a chair so that it does not strain one part of the body while fitting another. Of greater importance than the chair is a person's sitting posture, which depends largely on an individual's personal habits. The chair is only one of the components to be considered in workstation design. Other elements like work surface, document holders and task lighting need to incorporate flexibility and adjustability. Were these evaluated and considered as well before the decision was taken to buy the chairs? It would be more cost effective to educate staff on sitting habits rather than to buy expensive chairs.WHY celebrates 64 Years of the Shell Chair in images with #shellspotting. Arguably one of the 20th century’s most beloved designs, the Eames Shell Chair has wormed its way into our collective consciousness to become both a coveted piece of design history and, quite simply, a beautiful, accessible design that is exemplary of the Eameses’ desire to make “the best for the most for the least.”

Borne out of Charles’ early investigations into molding plywood at Cranbrook Academy with Eero Saarinen in the late ’40s, and continued with Ray and the Eames Office in Venice, California, the Shell Chair was designed on the principle of adaptability, so that it could fit every body and any context—a chair that would be equally at home in a a museum, living room, or the laundromat around the corner. WHY is celebrating the Shell Chair’s endless appeal by sharing stories and images from some of the our biggest fans and ardent collectors (click on the interactive image array above). Stay tuned as we post stories each week and spread the Eames love with #shellspotting. The Editors Shell Chairs, Instagram, Charles and Ray Eames Pinterest Email Today’s #shellspotting comes from Eames and Llisa Demetrios, Charles and Ray’s grandchildren, and their mother, Lucia. It was shot last year, at her home in northern California. “This isn't just a picture of someone sitting in a beautiful Eames Shell chair;

this picture is actually part of the story. Charles and Ray Eames always said that design is a method of action—a constant, dynamic process. They also said that the role of the designer is basically that of a good host, anticipating the needs of his guest. They asked that when they died, their family would assume responsibility for ensuring that not only the integrity of their products remain intact, but also their unique approach to design. I am one of five grandchildren in my generation doing this work now, and championing my grandparent’s legacy has been a great (in every sense of the word) responsibility. We’ve learned a lot from Charles and Ray, and also from our mother, Lucia (Charles' daughter). /HermanMiller released late last year. When the design was complete, I was 100% convinced, but we wanted more. We asked Herman Miller to box up a chair and send it to our mom—without warning. For 12 hours, a billion dollar company awaited her response, to see if it would, in fact, have an approved product to sell after all the time and effort.

My sister Llisa waited with our mom, camera ready. Needless to say, she loved it, and the project moved forward. We’re pretty proud of our role here at the @eamesoffice because there is an art and science in the decisions made to keep Eames products alive and well, just as they wished. It is the only way to truly honor their legacy.” Today's #shellspotting  comes from Eames super fans @vanityvintage, a graphic design duo living in Antwerp, Belgium. We were curious about anybody who'd take their vintage Shell Chair with them on vacation to Paris, so #WHYHM asked them to tell us a little more about their collection. Here's what they had to say: "We have been passionate about interior design for years, and along the way, we caught the Eames bug. It started with the current editions, but as our addiction grew, we started to collect the original fiberglass chairs cause they are more valuable to us and have much more charm. We share Charles' belief that 'the details are not the details, they make the design.'"

Today's #shellspotting story comes from Tim Smith (@thsnyc), who submitted a photo of his impeccably preserved, vintage #Eames LAR, accompanied by the remarkable story of its provenance. As he tells us: "This chair belonged to my grandparents, Charlotte and Ray O’Tool of Bay City, MI. My grandmother was a very stylish woman, always on top of every design trend. This chair in their home is one of my earliest memories of visits to grandma and grandpa. Perhaps, because it had a childlike scale, but also because it was unlike anything I was accustomed to. I believe it is the first design object that I ever coveted, and I let it be known to my grandmother whenever we visited. She always said that my name was on it for when she died and, needless to say, I inherited it from her (my name in masking tape on the bottom of it when they settled her affairs). This chair was the spark to a long passion for collecting (especially 20th-century modern design objects) that continues to this day. The designs of Eames, Nelson, Knoll were the everyday objects of my youth;