Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century. As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism. Charles studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser) was an artist, who studied under the abstract expressionist Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year. His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM.

In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures. The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the “LCW,” or Lounge Chair Wood, and the “DCM,” or Dining Chair Metal, supported by tubular steel. The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions.

Their “Wire Chair” group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their “Molded Fiberglass” chair series that same decade, and also produced the organic-form, ever-delightful “La Chaise.” floating pool chairs walmart canadaIn 1956 the “Lounge Chair” and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.chair and table rentals dayton ohio Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” wholebody massage chair for sale

For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.table and chair rentals fort mcmurrayVitra Bringing together the best in iconic, contemporary design, Vitra's modernist products and concepts are installed worldwide by architects, companies and private users to create inspirational living spaces.chair cover rentals torrance ca Mixing the best of new and established pieces, Vitra have a clean, modern approach to design. antique bergere chairs for saleEstablished in 1957, the family run German furniture specialists bring together their engineering excellence with the creative genius of leading international designers past and present.

Renowned for creating high-quality productions of modern design classics, Vitra are the official European manufacturers for iconic designers such as Charles & Ray Eames, George Nelson and Verner Panton. Alongside these legendary figures, contemporary designers such as Jasper Morrisson and Philippe Starck continue the heritage of innovation. A collaborative design for Vitra by Edward Barber & Jay Osgerby, this colourful and contemporary chair switches effortlessly to suit your mode from a relaxed position to a forward tilt. Originally designed with children in mind, this iconic Eames design makes a fun addition to every space whether it’s just for decoration or to be played with. Price : Lowest To Highest Price : Highest To Lowest Eames Lounge Chair Classic Nero Leather Cherry Black Base by Charles & Ray Eames Eames Lounge Chair & Ottoman Black Leather, Black Ash Frame (New Dimensions) Panton Chair Limited Edition Sunlight Eames Square Coffee Table

Wooden Side Table Large byRonan And Erwan Bouroullec Belleville Round Table White Top Deep Black Base Eames DSR Plastic Chair Eames Lounge Chair & Ottoman (Classic) Black Leather, Cherry, Black/Polished Base Hang It All Coat Rack Noguchi Coffee Table Black Ash Repos & Panchina Cosy Fossil Eames Plywood Group LCW Guéridon 2-4 Seater Table Natural Solid Oak Price : Highest To LowestVitra furniture has included designs by Charles & Ray Eames and George Nelson since 1957. Due to this long history and years of cooperation with progressive designers, a wide branching furniture collection has developed with furniture for the office, home, and public spaces. These three areas constitute the course of the Vitra brand. Whether the Home Collection, Office Collection, or Public Collection – there is Vitra furniture for every room: perfectly adaptable for different purposes. Home Collection The Home Collection includes the most famous Vitra furniture: the undisputed design classics.

Furniture by great designers such as Charles & Ray Eames, Verner Panton, or George Nelson are well-known by design enthusiasts. Many of these furniture designs have been produced by Vitra for decades. The - both optical and qualitative - durability of this furniture has been an important factor in affecting Vitra’s reputation. Some examples are the Panton Chair or the Eames Lounge Chair which are both considered legendary today. Vitra however doesn’t rest on the laurels of its past: Even modern designers work on furniture for the home collection at the Swiss manufacturer. Ronan & Erwan Bouroullec, Konstantin Grcic, and Alfredo Häberli are only some famous names with which traditional Vitra cares to cooperate with. Vitra Furniture for the Office In Vitra’s Office Collection, the focus clearly lies on modern and functional office furnishings. The manufacturer uses modern technological achievements in order to create the perfect products for the modern, every-day office. The “productive office” is the aim of this philosophy: the working space should work for people, instead of people only using it.

Of course, famous designers can be found here as well: Well-known, for example, is Alberto Meda whose ergonomic office chairs can be found worldwide. The connection of communicative rooms and relax possibilities is considered a perfect combination for privacy and wellbeing today. The continuous networking and the exchange with others is possible (“Net”) with this approach, while the demand of private rooms for concentration and regeneration (“Nest”) always remains in focus. Regardless which of these areas one considers: Even at the beginning of the design process, an approach is used to ensure a perfect fit regarding the various areas. Engineers and designers work together in the creation process of a product, in order to keep quality, aesthetics, and functionality continuously on the highest level, helping the furniture manufacturer to keep its excellent reputation. Due to this interdisciplinary approach, today, much more belongs to Vitra Cosmos than just manufacturing furniture:

Vitra also stands for the Vitra Design Museum, for a collection of modern furniture and their archives, for workshop and publications on design and for an architecture understanding, which includes constructions by Frank Gehry, Nicholas Grimshaw, Zaha Hadid, Tadao Ando, Alvaro Siza, Herzog & de Meuron, and SANAA in the main headquarters in Birsfelden (Switzerland) and at the Vitra Campus in Weil am Rhein (Germany). Even accessories, sculptures, and objects for children are produced by Vitra. All of these different areas have significantly contributed to the Vitra’s success over the decades. The success story of this family company was made possible due to consequent combining of good design with high quality. Regardless of what raw materials a Vitra product is made out of, one can be sure that material and finished quality are among the best on the market. This also includes sustainability: For Vita, since its founding in 1950, it is obvious that production, use, and disposal of furniture should not cause damage.